This project begins with a train journey filmed from a window, where the passing landscape becomes a metaphor for migration in motion.

Everyday images and sounds are interspersed with fragments that evoke uprootedness, anxiety, and adaptation. Autobiographical in nature, the piece reflects on how colonial narratives continue to shape contemporary cultural and social systems. By combining video and physical objects, the work invites a critical rereading of present realities, where technology can act both as a tool for connection and as an instrument of control.