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NATIONAL SYMBOLS ARE BUILT FROM WHAT THEY CONCEAL — REPETITION, NOISE, AND THE EVERYDAY GESTURES OF VIOLENCE THAT THEIR SOLEMNITY REQUIRES. NATIONAL SYMBOLS ARE BUILT FROM WHAT THEY CONCEAL — REPETITION, NOISE, AND THE EVERYDAY GESTURES OF VIOLENCE THAT THEIR SOLEMNITY REQUIRES.

MIGRATION UNFOLDS NOT AS DEPARTURE OR ARRIVAL BUT AS AN INTERVAL — A CONDITION OF PERMANENT TRANSIT IN WHICH LANGUAGE, TERRITORY, AND IDENTITY HAVE NOT YET SETTLED. MIGRATION UNFOLDS NOT AS DEPARTURE OR ARRIVAL BUT AS AN INTERVAL — A CONDITION OF PERMANENT TRANSIT IN WHICH LANGUAGE, TERRITORY, AND IDENTITY HAVE NOT YET SETTLED.

BODIES LEAVE TRACES THAT OUTLAST THE SYSTEMS THAT REGULATED THEM — MATERIAL RESIDUES THAT ACCUMULATE WHERE SYMBOLS CAN NO LONGER HOLD. BODIES LEAVE TRACES THAT OUTLAST THE SYSTEMS THAT REGULATED THEM — MATERIAL RESIDUES THAT ACCUMULATE WHERE SYMBOLS CAN NO LONGER HOLD.

PUBLIC SPACE DOES NOT ACCOMMODATE THE BODY — IT PRECONDITIONS IT, DESIGNING MOVEMENT AS COMPLIANCE BEFORE ANYONE HAS CHOSEN TO COMPLY. PUBLIC SPACE DOES NOT ACCOMMODATE THE BODY — IT PRECONDITIONS IT, DESIGNING MOVEMENT AS COMPLIANCE BEFORE ANYONE HAS CHOSEN TO COMPLY.

MEMORY RESISTS THE GRAMMAR THROUGH WHICH POLITICAL VIOLENCE HAS BEEN MADE MONUMENTAL — IT OPERATES AS COMPOSITIONAL FORCE, NOT AS ARCHIVE. MEMORY RESISTS THE GRAMMAR THROUGH WHICH POLITICAL VIOLENCE HAS BEEN MADE MONUMENTAL — IT OPERATES AS COMPOSITIONAL FORCE, NOT AS ARCHIVE.

COLOR APPLIED TO THE FACE AS NATIONAL BELONGING FOLLOWS ITS OWN INTERNAL LOGIC — CARRIED TO ITS PHYSICAL LIMIT, IDENTIFICATION UNDOES ITSELF. COLOR APPLIED TO THE FACE AS NATIONAL BELONGING FOLLOWS ITS OWN INTERNAL LOGIC — CARRIED TO ITS PHYSICAL LIMIT, IDENTIFICATION UNDOES ITSELF.

COLLECTIVE PROTEST PERSISTS AS FORM AFTER ITS SUBJECTS HAVE GONE — AUTOMATED, DEPERSONALIZED, FAITHFUL TO THE GESTURE AND INDIFFERENT TO ITS PURPOSE. COLLECTIVE PROTEST PERSISTS AS FORM AFTER ITS SUBJECTS HAVE GONE — AUTOMATED, DEPERSONALIZED, FAITHFUL TO THE GESTURE AND INDIFFERENT TO ITS PURPOSE.

HISTORY BECOMES SPECTACLE WHEN ITS SITES ARE CONVERTED INTO NAVIGABLE TERRAIN — CONSUMABLE, INTERACTIVE, AND ETHICALLY WEIGHTLESS. HISTORY BECOMES SPECTACLE WHEN ITS SITES ARE CONVERTED INTO NAVIGABLE TERRAIN — CONSUMABLE, INTERACTIVE, AND ETHICALLY WEIGHTLESS.

ECONOMIC SYSTEMS OPERATE THROUGH DISTRACTION — MISDIRECTION, SUBSTITUTION, AND THE MANAGEMENT OF ATTENTION ARE PROCEDURES, NOT PERFORMANCES. ECONOMIC SYSTEMS OPERATE THROUGH DISTRACTION — MISDIRECTION, SUBSTITUTION, AND THE MANAGEMENT OF ATTENTION ARE PROCEDURES, NOT PERFORMANCES.

DEVELOPMENT IS A JINGLE PLAYED ON THE INFRASTRUCTURE IT LEFT BEHIND — EXTRACTION RENDERED FAMILIAR, REPEATED UNTIL IT SOUNDS LIKE PROGRESS. DEVELOPMENT IS A JINGLE PLAYED ON THE INFRASTRUCTURE IT LEFT BEHIND — EXTRACTION RENDERED FAMILIAR, REPEATED UNTIL IT SOUNDS LIKE PROGRESS.

WEAPONS LEAVE MATERIAL RESIDUES — RECONFIGURED INTO OBJECTS THAT CAN ONLY HOLD WHAT THEY WERE DESIGNED TO RELEASE, THEIR FORCE PERMANENTLY SUSPENDED. WEAPONS LEAVE MATERIAL RESIDUES — RECONFIGURED INTO OBJECTS THAT CAN ONLY HOLD WHAT THEY WERE DESIGNED TO RELEASE, THEIR FORCE PERMANENTLY SUSPENDED.

CURRENCY MELTED INTO A WEAPON TRACES THE BORDER BETWEEN INSTITUTIONAL LEGALITY AND CRIMINAL APPROPRIATION — A BORDER THAT IS THE OBJECT'S ONLY STABLE FEATURE. CURRENCY MELTED INTO A WEAPON TRACES THE BORDER BETWEEN INSTITUTIONAL LEGALITY AND CRIMINAL APPROPRIATION — A BORDER THAT IS THE OBJECT'S ONLY STABLE FEATURE.

ART HISTORY ARRIVES IN DELAY — NOT AS ORIGINAL BUT AS REPRODUCTION, NOT AS OBJECT BUT AS WHAT CIRCULATES IN ITS PLACE. ART HISTORY ARRIVES IN DELAY — NOT AS ORIGINAL BUT AS REPRODUCTION, NOT AS OBJECT BUT AS WHAT CIRCULATES IN ITS PLACE.