A magician performs sleight-of-hand with coins and banknotes. Simultaneously, the soundtrack presents a technical account by a helicopter pilot describing the evacuation of Argentine president Fernando de la Rúa during the 2001 financial collapse.

The work aligns two systems governed by similar logics: misdirection, substitution, and the management of attention. One operates as performance; the other as economic and political procedure. Placed side by side, they remain unresolved: neither fully explains the other, and neither reveals where the trick resides.